
Introduction
It was the summer of 1977 — sweat, mirror balls, and the Bee Gees everywhere.
With Saturday Night Fever dominating the charts, the Gibb brothers had become the architects of an entire era. Their shimmering falsettos were the sound of love, survival, and disco’s golden dawn. And yet, beneath the glitter, one quiet man in suburban Chicago was listening to their latest hit, “How Deep Is Your Love,” and trembling — not with admiration, but disbelief.
“I nearly dropped the radio,” recalled Ronald H. Selle, a part-time musician and antique dealer. “That melody — it was mine. I knew it instantly. I’d written it two years earlier.”
To the world, the Bee Gees were gods. To Selle, they had just stolen his soul.
🎙️ The Song That Shook the Studio
By 1977, Barry, Robin, and Maurice Gibb were unstoppable. Their string of hits — “Stayin’ Alive,” “Night Fever,” “Too Much Heaven” — had crowned them kings of the modern age. “How Deep Is Your Love,” though, was different. A silky ballad of devotion, it revealed a vulnerability beneath the disco lights. It wasn’t just a hit — it became one of the most cherished love songs of the century.
But somewhere in Chicago, Selle heard something else. In 1975, he had written a song called “Let It End.” He had mailed demo tapes to several major publishers, hoping for a miracle.
“I never got a response,” he said years later. “But when I heard the Bee Gees’ song, my stomach turned. It wasn’t just similar — it was the same feeling, the same structure. I could trace every note.”
Two years later, that miracle came — not in the form of a record deal, but a lawsuit.
⚖️ The Case: Selle v. Gibb
In 1980, Ronald H. Selle filed a copyright infringement suit against the Bee Gees. What followed became one of the most dramatic legal battles in music history — a modern-day David versus Goliath story that threatened to upend the pop world.
The trial turned on one haunting question: Can two songs sound that similar by coincidence?
Selle’s legal team brought in a respected musicologist, who analyzed both songs bar by bar.
“The first eight measures are nearly identical,” the expert testified. “The sequence of pitches and rhythms is so specific that random coincidence is statistically improbable.”
When the courtroom speakers played both songs back to back, reporters described the silence that followed as “electric.” One juror later told The Chicago Tribune,
“You could feel everyone’s jaw drop. It was eerie.”
Against all odds, the jury ruled in Selle’s favor.
In that moment, one anonymous songwriter had just defeated the Bee Gees — the biggest band in the world.
💔 “We Write With Emotion, Not Imitation”
The victory was short-lived. The Bee Gees immediately appealed, arguing that no one on Earth could prove they had ever heard Selle’s song. His demos, they claimed, never reached their circle. The group had been working in France during that period, far removed from any Chicago publishers. Without proof of access, the entire case could crumble.
In a rare emotional interview, Barry Gibb defended the brothers’ integrity:
“We’ve written hundreds of songs — all from the heart. We write with emotion, not imitation. To say we’d copy someone’s work is the worst insult you can give a songwriter.”
Their attorney built the appeal around a single principle: Even identical melodies mean nothing without evidence of theft.
After three years of legal warfare, the appellate court sided with the Bee Gees. The original verdict was overturned.
Legally, they were vindicated. But reputationally — the shadow lingered.
Music law scholar Professor Elaine Roberts of Northwestern University later explained:
“The Selle case changed everything. It made the industry paranoid. From that day on, no artist could accept unsolicited demos without fear of being sued.”
🕰️ The Fallout: A New Fear in the Music World
Though he lost on appeal, Ronald Selle’s fight left a permanent scar on the industry. Record labels began returning demo tapes unopened. Songwriters started recording their writing sessions to establish proof of authorship. Even casual inspirations became legal minefields.
For the Bee Gees, the case became a bitter footnote in a golden career. “It hurt them deeply,” a longtime collaborator told People magazine in 1984.
“They felt accused of something they’d never even imagined doing. Barry took it personally — he saw it as an attack on their brotherhood, on their truth.”
Selle, meanwhile, faded back into obscurity. He never released another song. But his story became a cautionary legend — the man who dared to accuse the world’s most beloved band and almost won.
💿 The Song That Wouldn’t Die
Decades later, “How Deep Is Your Love” continues to soundtrack weddings, first dances, and moments of quiet heartbreak. Its harmonies still float across generations, as if untouched by time or controversy. But for those who remember Selle v. Gibb, the sweetness is tinged with mystery.
Did genius and coincidence collide?
Or did a whisper from a forgotten demo find its way, somehow, into one of the greatest love songs ever written?
📺 “He Fought the Bee Gees — and History”
To this day, music forums and YouTube comments occasionally resurrect the tale. One user wrote beneath a live performance clip: “This song is perfect… maybe too perfect.” Another replied: “I don’t care who wrote it. It’s divine.”
Barry Gibb, now the last surviving brother, has never revisited the case publicly. But in an archival interview from 1988, his eyes glistened when asked about it:
“Music isn’t about ownership,” he said quietly. “It’s about connection. If that man heard himself in our song — maybe that’s because we all feel the same things. Maybe that’s what love really is.”
For Ronald Selle, the answer may never come. But for the rest of us, every time “How Deep Is Your Love” plays on the radio, the question lingers like an echo across the decades — how deep does inspiration go before it becomes imitation?